Home > CCI Newsletter > CCI Newsletter 27 > Icons of the Basilian
Fathers Restored
Icons of the Basilian Fathers Restored
Icon of Saint John the Evangelist before (left) and after (right)
treatment. Icon of Saint John the Evangelist before (left) and after
Icon of Saint John the Evangelist before (left) and after (right)
treatment. Icon of Saint John the Evangelist before (left) and after
(right) treatment.
Icon of Saint John the Evangelist before (left) and after (right)
treatment.
Among the wide range of objects that CCI has treated over the years
are six religious icons of rare beauty that belong to the Order of St.
Basil the Great (commonly called the Basilian Fathers).
the Mobile Laboratory visited the museum to assess the condition of
some of its icons. Most of these religious paintings on wood had been
acquired by a Basilian priest, Father Josaphat Jean, a scholar and
acquired by a Basilian priest, Father Josaphat Jean, a scholar and
collector of Ukrainian ecclesiastical art. By 1986 the icons were
suffering various amounts of damage.
The building of a new museum in 1990 resulted in another visit by CCI
a couple of years later. At this time six valuable icons were selected
for treatment by Senior Conservator Peter Vogel. The oldest of these
for treatment by Senior Conservator Peter Vogel. The oldest of these
icons dated to the mid-16th century.
Peter says the approach to treating icons "is completely different
than paintings on wood because of their religious and historical
Take for example the icon of Saint John the Evangelist, an
18th-century panel of tempera on wood. There are bullet holes across
18th-century panel of tempera on wood. There are bullet holes across
the icon, some Cyrillic lettering on both sides of the Saint's head,
and damage around the edges. There is also evidence that, at some
with some kind of plate. Peter points out that it is also common for
icons to sustain damage from being handled repeatedly, moved from
place to place, and exposed to the smoke of burning candles and
The treatment plan for this icon was worked out in consultation with
Dagmar Rais (curator of the museum) and the Basilian Fathers. It was
should be left untouched because they form an important part of the
icon's history and value, but water damage along the bottom and other
stains from handling over the years should be treated.
Peter states that he feels "privileged" to have been involved in the
treatment of the icons (a few of which were treated under his guidance
by private conservators on contract). In reference to Saint John the
by private conservators on contract). In reference to Saint John the
Evangelist, he says "the icon has regained its unity and its artistic
and liturgical messages have been preserved." "More importantly," he